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DYING CITY
a regional premiere
Southern Rep
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Drama
. DYING CITY at first seems a story of a wife and brother left grieving after a soldier’s baffling death in
Iraq. But as the layers are peeled away, we find it a tender, then shockingly raw and
complex portrait of three very different people. A 2008 Pulitzer Prize Finalist. OnStage Magazine Interview: A Conversation with Julie Hamberg |
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2010 Big Easy Award nomination for "Best Drama" Will Coviello, GAMBIT WEEKLY |
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"'Dying City' is Another stunning stage experience at Southern Rep. It was a revelation seeing it enacted on the stage of Southern
Rep ... "Dying City" still had the power to surprise and disturb as There are almost endless levels to "Dying City," and under Julie Hamberg's meticulous, penetrating direction, they are deftly |
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“Under Julie Hamberg's direction, the acting is superlative and the story fascinating in this first-class production.” Dalt Wonk, GAMBIT WEEKLY |
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"Dying
City was a masterpiece of directorial and acting restraint ... The
direction of Julie Hamburg was faultless." AMBUSH
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CAST |
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PRODUCTION TEAM |
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Craig / Peter Kelly |
JULIE HAMBERG * Sarah Z. Singleton |
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Playwright Director Scenic Designer (see graphic) Costume Designer Lighting Designer Sound Designer Production Stage Mgr/Props Mstr Assistant Stage Manager Run Crew Photographer Artistic Director (as originally listed) |
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THE SKINNY ... bits from the press release In this “transfixing tale” (The New York Times), it seems at first to be a story about the wife and twin brother left grieving after a soldier’s baffling death in Iraq. But as the layers are peeled away, we find that it is a tender, then shockingly raw and complex, portrait of three very different people. Young therapist Kelly, whose husband Craig was killed, is attempting to move on with her life when Craig’s handsome gay twin brother arrives unannounced. Through a series of flashbacks to Kelly and Craig’s marriage, the former in-laws are forced to find the truth. Called “achingly compassionate” by Variety, this piece explores, with humor and grace, how profoundly outside events can affect each of us. Named one of the Best Plays of 2007 by The New York Times, DYING CITY was much praised on both sides of the Atlantic. “Dying City is the finest new American play I've seen in a long while” wrote the critic for The NY Observer, while Variety’s said that “Shinn's achievement is to have written a drama of rare delicacy in which politics are not in the character's mouths, but in their circumstances and lives.” London’s Daily Telegraph called it a “clever, intricately calculated and quietly moving new play.” “Anyone who doubts that Mr. Shinn is among the most provocative and probing of American playwrights today need only experience the…sophisticated welding of form and content that is ‘Dying City’” (NY Times). Pete McElligott tackles the twin brothers’ roles. An active member of The NOLA Project, he memorably starred in SRT’s co-production of The Lieutenant of Inishmore for which he won a Big Easy Award. An NYU grad, McElligott is also teaching and acting in New York, where his most recent role was in The Tragedy of King Richard III.
Angelena Swords plays Kelly. She’s is a Louisiana native and The playwright Christopher Shinn is just 33 and was nominated for a Pulitzer Prize for DYING CITY, which had its U.S. premiere at Lincoln Center last year. His latest play, Now or Later, opened at the London’s Royal Court in September, while his adaptation of Ibsen’s Hedda Gabler premieres on Broadway at The Roundabout Theatre in January. The Royal Court has been a great champion of his work, premiering Dying City, Where Do We Live, Other People and his first play, Four, when he was but 23. Shinn’s work has been produced at major theatres such as Lincoln Center, Manhattan Theatre Club, Playwrights Horizons, the Vineyard Theatre, and South Coast Rep. His many honors include: an OBIE Award, a Guggenheim Fellowship, and an NEA/TCG Residency. Shinn teaches playwriting at the New School in NYC. |
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SOUTHERN REP Founded in 1986, Southern Rep's mission is to develop and produce new plays, to provide our audience with professional theatre of the highest artistic quality and achievement, and to establish a creative working environment that nurtures theatre professionals. We strive to use the artistry of theatre to enlighten, educate, and entertain audiences in the metropolitan New Orleans area and South Gulf Coast region, and aim to extend that service through educational and outreach programs. |
photos credits: John B. Barrois, New Orleans |
Copyright Julie Hamberg 2007-2011. Last updated 02/14/2011.
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