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Join
us for readings
of the new play that’s already in
the news*
The Sweet, Sweet Motherhood
by Jeremy Kareken
written in collaboration with Professor Lee M. Silver
featuring Richard Masur & Caroline Cooney
directed by Julie
Hamberg
Shelley’s been partying a bit much to have stellar grades,
so she proposes a senior thesis to dazzle –
Fertilize one of her eggs with the sperm
from a furry beastie from the animal kingdom
and carry the hybrid to term
– in her own womb.
Professor Stein must do all he can to stop her,
without losing his mind, or something just as precious.
Inspired by a true event, it examines the ethical implications
of the mind-bending, up-to-the-minute biotechnology.
Winner of the Guthrie Theatre/Playwrights’ Center
Two-Headed Challenge . Received a workshop &
reading
in The Playwrights’ Center annual PlayLabs
Festival (2007)
Three chances to enjoy the madness…
MONDAY . MAY 12
2pm . Manhattan Theatre Club
A more casual Warm-Up Reading . at MTC Offices . Studio 2
311 W 43rd Street . 8th floor . b/w 8th & 9th Avenues
6pm . Ensemble Studio Theatre
Playwright's Unit
EST . 549 W 52nd Street . b/w 10th & 11th Avenues
RSVP
here for Monday's Readings
TUESDAY . MAY 13
7pm . The Actors Studio
Playwrights
Directors Workshop Festival 2008
featuring Jeremy Kareken** & Caroline Cooney
Actors Studio . 432 W 44th Street . b/w 9th & 10th Avenues
RSVP 212-757-0870 for Actor's Studio Reading or RSVP
here
PDW
Festival . May 13 – May 21 (Tuesday
– Wednesday)
9 new
plays in 9 days
May 13 . 7pm . The Sweet,
Sweet Motherhood . by Jeremy Kareken
May 14 . 7pm . The Nature
of Captivity . by Matthew Paul Olmos
May 15 . 7pm . Comes a
Pause . by Gayle Greene
May 16 . 7pm . The Low
Road . by David Libman
May 17 . 7pm . Painting
Corpses . by Mark Brokowski
May 18 . 7pm . The
Horizon . by Chuck Maryan
May 19 . 3pm . The Real
Tabasco . by Deborah Grace Winer
May 20 . 7pm . The
Squeezed and the Squeezer . by Jeremy Wine
May 21 . 7pm . Dead Lucy
. by Suzanne Bradbeer (don't miss this one!)
Festival Executive
Producer . Carline Glynn
Festival Producer
. Billie Roe
Festival Stage Manager . Hillary Makatura
** Actors Studio Member
. . .
. .
In the
News*
Silver
& Kareken featured on NYC's
RadioLab Series
April, 2008
“And then [Lee Silver] tells us about
a very disturbing real-life
incident that playwright Jeremy Kareken, in collaboration with
Dr. Silver, turned into a play about the implications of combining
humans and other animals.”
Article
in Princeton
Alumni Weekly
October 20, 2007
(scroll down, 2nd article) "Joining Science and Art -
Professor Lee Silver Collaborates on a Provocative Play."
Just a darned
fun article on Jeremy Kareken March
2008
Sunnyside Insider of the Month - March 2008
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Silver, left, and Kareken at
the PlayLabs
Festival in 2007.
(Kevin McLaughlin)
Collaborators
Playwright Jeremy Kareken
received the William Inge, Next Step and Walter Dakin Fellowships at the William Inge Center for the Arts,
Ensemble Studio Theatre, and the Sewanee Writers Conference, respectively. He has been nominated three times for the Actors Theatre of Louisville's Heidemann Award and won the Hamptons Int’l. Film Festival's Screenwriters' Conference. His plays have been performed in Dublin, Ireland; Melbourne, Australia; NYC; Chicago and at the Actors Theatre of Louisville. Kareken is also an actor and a lifetime member of the Actors Studio. He is the researcher for Inside the Actors Studio on Bravo as well as a moderator for the
Actors Studio's PD Workshop. He earned his BA from University of Chicago and MFA from the Actors Studio Drama School.
Writing collaborator Dr. Lee M. Silver
is a Princeton University professor of molecular biology and public policy in the Woodrow Wilson school of Public & International Affairs. He has published five books (most recently, Challenging Nature: The Clash of Science and Spirituality at the New Frontiers of Life) and over 180 scientific articles on subjects at the interface between biotechnology, law, ethics, and religion. Silver is regularly sought out for radio and TV, appearing on NOVA, NIGHTLINE, CHARLIE ROSE and 20/20 while his op-eds, reviews and essays are featured in such publications as
Time, Nature and The New York Times, among many others.
Richard
Masur will play the role of Professor Henry Stein.
Masur is a theatre and film actor and director. Broadway credits include
Democracy and The Changing Room. Recently active in the Off-Broadway scene, he was featured in Mike Leigh's
Two Thousand Years (New Group), Sarah Treem’s A Feminine Ending (Playwrights Horizons) as well as Rinne Groff’s
The Ruby Sunrise (The Public/NYSF). In addition, Masur has numerous regional theatre credits. Having starred in more than 45 films, over 40 television movies and on several television series, he has been nominated for an Emmy and an Oscar.
Actor Caroline Cooney comes to NYC for these developmental readings to reprise her roll as Shelley McAnn in
The Sweet, Sweet Motherhood that she played in the workshop at the
Guthrie/ Playwright’s Center last year. Cooney is fresh from being featured in the Guthrie’s successful
Jane Eyre. She has a BFA in Theater from the University of Minnesota/Guthrie Theater Program where she starred as Hedda in
Hedda Gabler and in appeared in such pieces as Medea, Macbeth, and
Bus Stop as well as the Feydeau Farce Festival.
Director Julie
Hamberg's most recent credits include the premiere of
Madonna and Child and Other Divas (Cherry Lane Mainstage/FringeNYC); Drexler & Carmine’s
Home Movies as part of the OBIE-winning The West Village Fragments (Peculiar Works Project); and the premiere of Shawn Hirabayashi’s
Poor Ophelia (Drama League/Vital). Hamberg's work has also been seen at The Public, New Georges, Lincoln Center Theatre Directors Lab and many OOB stages, most new plays. She directed five Vital Theatre mainstage pieces while associate artistic director there. She has assisted on Broadway and Off, is a Drama League Fellow, and an LCT Directors Lab alumnus.
Intern Doug Lavanture
is assisting with these readings. I don't yet have Doug's bio, but
extend my great thanks for his help with this process. He's already
read stage directions for a reading held out at Princeton, as well as
assisted the playwright with various developmental tasks.
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